Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
He is, as they say, "typecast" – kind, honest, noble and strong-willed. The role of the captain in the film "Ivanov's Childhood" became the peak of actor Valentin Zubkov's career, and the footage of Kholin walking in a grove with a beautiful nurse Masha and a kiss shot from a trench when the girl hovered in his arms over a pit entered the treasury of world cinema...
This subversive documentary unpacks the tricks brands use to keep their customers consuming — and the real impact they have on our lives and the world.
A chronicle of the long career of American filmmaker Roger Corman, the most tenacious and ingenious low-budget producer and director in the US film industry, a pioneer of independent filmmaking and discoverer of new talent.
We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.
Based on the jaw-dropping contact accounts of individuals from around the world, AMONG US explores the suspicious phenomenon of non-human presence on Earth, from angels to ETs, and unveils the many ways they may be interacting, communicating and transferring subliminal information into our consciousness and potentially our DNA. The film ultimately shows that the interconnectedness of all species may be beneficial and most likely inevitable for the evolution of an intelligent universe. This film has been released in some territories under the title: "ET Contact: They are here".
Documentary by Remy Vlek about one hundred years of social democracy in the Netherlands, which began with the founding of the SDAP on August 26, 1894, followed by a studio discussion moderated by Paul Witteman on the future of social democracy.
For decades, the countries of the African Sahel region have been targets of colonialism and exploitation by France and other Western powers. This documentary addresses the popular resistance and new paths of development forged by Burkina Faso, Niger, and Mali after experiencing civil and military uprisings in recent years. The film explores the popular resistance that sustains the revolution in the three Sahel countries and was made after extensive coverage of the ongoing social dynamics and geopolitical disputes.
Belfast's own Móglaí Bap, Mo Chara and DJ Próvai perform their politically relevant tracks off their latest album "Fine Art" as they are fresh off their first feature biopic film which is Ireland's official submission for the 2025 OSCARS and as the first Irish language band to be on Jimmy Fallon. Filmed on April 16, 2024 at Yoyo, Paris.
Robin ownes a beautiful old theatre in Norrköping, Sweden. There he lives with his husband. To solve a critical financial situation for the theatre, Robin puts up an equivoque burlesque show. In the middle of rehearsals he gets a phone call from Christian, the owner of a swingers club, who is in desperate need of new facilities because of a terrible fire that ruined his club. Renting out the cellar is a very interesting option for Robin and soon the two new friends start to cooperate while the town of Norrköping is in rage. The dream of Cristian is to make a big swingers party in the whole theatre and sometimes dreams come true.
Aaron Berg is one of the hardest working comics in New York City. As everyone who's anyone in NYC will attest, it is only fitting that he set out to break the world record for most comedy sets in one night.
A series of apparitions in Ezkio in 1931 attracted thousands of people and changed the paradigm of faith, which shifted from “Believe in what you don’t see” to “Believe in what you do see”. The film poses a question: Is it possible to once again believe in what we see, in a place where once people believed?