Los Últimos is the remake of the frustrated Pozo de Zorro, by Miguel Mirra himself. A group of soldiers is isolated after a bloody battle, but they refuse to surrender. The Malvinas war is approached by Miguel Mirra from a different perspective than that known until now. The Last Ones is a war drama where there is no room for guilt and commiseration.
At the end of 1943, during the occupation in Odessa, a new specialist Kraft arrives at the shipyard and soon becomes a chief engineer. It never occurred to anyone that a Soviet intelligence officer was hiding under the guise of a leader showing official zeal. At the decisive moment, when the victorious offensive of the Soviet troops forces the German-Romanian invaders to leave Odessa, on the instructions of the Center, Kraft leaves with them for further work behind enemy lines.
In Nazi-occupied Prague, a former soldier and his partner live a quiet life in hiding. When a former colleague draws them into a bold plot to assassinate a Senior SS leader, they must choose between their fragile peace and their country.
Fourteen years after he was blinded in a WWII concentration camp, a Canadian perfume executive travels to London on business and recognizes the voice of the traitor who betrayed him and his fellow prisoners to the Germans.
In this newspaper drama, a female reporter and a newsreel cameraman are both assigned to cover the Sino-Japanese war. They meet on the boat ride over and decide to team up. They are further assisted by a Chinese cameraman. The three of them manage to expose of spy ring operating out of the Shanghai office of the woman's newspaper.
Menelaus is the king of Sparta and temporarily departs from his residence, leaving Helen, the queen of Sparta, without him. When Paris of Troy, ambassador and son of the king, arrives in Sparta, he kidnaps Helen and brings her to Troy where the two fall in love. The Greeks attempt to siege the city walls of Troy, but fail. The Greeks then place a huge wooden Trojan horse with Greek warriors hidden inside under the walls of Troy, pretending to be dedicated to the gods and ending the war. Falling for the trap, the Trojans break down the city walls to bring the wooden horse inside.
This intricate historical drama tells the story of actor Ferdinand Marian (Tobias Moretti), who is ordered by Nazi propagandist Joseph Goebbels to star in the 1940 anti-Semitic film Jew Suss. Despite his cooperation, Ferdinand's actions have unexpected costs. Ferdinand's Jewish wife, Anna (Martina Gedeck), is sent to a concentration camp, and as World War II intensifies, he rebels against the Nazis, leading to the destruction of his career.
Heinz is a German soldier stationed as a sniper overlooking his own army from a tree. When he falls asleep, his troops are gone and he is left alone to defend the incoming enemy invasion. Flashbacks recall his wartime experiences and his transition from a human being into a sadistic murderer and rapist.
An American newspaperman and his wife, end up in London after several retreats in the opening days of WWII. After a shrapnel wound and loss of her baby she returns to America. War weary, he is forced to do a story about war orphans, where he meets Margaret.
A platoon of South Korean soldiers find themselves cut off from their squad without communication. They are aided by an old man in a nearby village who did not evacuate his home.
Unflinching and deeply personal, D-Day In 14 Stories interviews many of the last surviving veterans who were on the beaches of Normandy that fateful day 75 years ago (a rare spectrum of Allies and Axis); seldom-heard voices, including a female Resistance fighter, an African American, a Native American, Jewish Americans and a 5-year old French boy.
Sara Parsa, a newspaper reporter, and Rahim, a chemical weapons veteran, are traveling together on a train heading to Abadan. Sara has a mission to report on today's youth conference, to which foreign guests have been invited. Rahim has a mission to clear a broken silo left over from the war, full of ammunition and explosives.
The War in Color draws on unique color material from German, British, Russian and American archives. For the first time, 35mm color footage of the war in France in 1940, unknown images from the Norway campaign and impressive scenes from the advance in the Soviet Union in 1941/42 are shown here. The whole madness of the Second World War comes frighteningly close with these color recordings, in a way that is hardly possible from the stories of those involved at the time.