Lisa is tired of being trapped in a toxic relationship with José. With the help of her friend Kitty—José’s wife—she plots his murder. But the lines between revenge, self-liberation, and betrayal quickly become blurred.
Surface of the Film carries the surface tension of film into the analog process of film development. The film appears as if immersed in a solution of chalk, soda, salt, and soap—the same mixture Soviet DIYers once used to whitewash hospitals, schools, and orphanages. Here, too, the layer both protects and attacks. It covers up, lets traces emerge, and carries scratches, stains, and blurs into the emulsion. Through its own material, the film searches for an equivalent to human vulnerability where gendered, trans, and female bodies seek protection while remaining exposed to the violence of the gaze.
Two scientists make a discovery of unimaginable proportions. But what should they do with it? Pollux moves between dystopia and utopia and presents an ethical dilemma: should one share a world-shattering invention with a society that one does not trust to handle it well?
A camera straight out of a video game hovers through artificial landscapes and portals. In a ghostly house, a fantasy video game is being played on a computer screen: how are virtual space, toxic masculinity, gaming and fantasy connected?
In a dystopian world nearing its end due to evil invasion believed to be caused by homosexuality, two religious queer men navigate life and love amidst alienation by their own people.
After moving to a quiet farmhouse, Ellie Taylor begins having disturbed dreams containing communications from the dead, and starts a video-diary documenting her experiences as the dreams take a more dangerous turn. A spirit is out for revenge, and Ellie happens to be her next target.
Altrimenti Inventa is an archival documentary that addresses the lack of representation of North African populations who migrated to Italy before the 1990s. It attempts an experimental reinvention of the missing archive, starting with the director's family history and then moving towards a more collective dimension, questioning the themes of identity, memory, and their relationship with what we choose to preserve and why.
‘D’Amore si cresce’ is a project focusing on visual literacy, emotional education and participatory cinema, which has led to the creation of a collective film.