Everyday records of a young lesbian’s life are transformed into a homemade documentary celebrating her twenty-first birthday through the lens of her best friend’s camera.
Filmed in front of a live studio audience and hosted by Alex Cooper of 'Call Her Daddy' fame, Miley Cyrus reflects on the creation and impact of the series with never-before-seen archival footage, all the while interacting and reminiscing on some of the show's most memorable sets 'brought back to life' — including the Stewart family living room and the legendary Hannah Montana closet.
Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.
Evan, a filmmaker from Mississippi, catches feelings for a gal he meets at a found footage film festival in San Francisco. They decide to make a movie together, exploring the haunted landscapes of Evan’s family history in the swamplands of Florida. Old wounds are reopened and generational trauma reveals itself to be perhaps the scariest part of this attempted mockumentary that ends up being a little too real.
This is an intimate and fragmented portrait of what it means to fall in love in the 21st century. Where desire, breadcrumbing, and vulnerability intertwine in a process of falling, self-creation, and pure frenzy.
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach.
Released on October 4, 1896 in Lyon ( France ) under the title “ Fêtes de l'inauguration du monument de Guillaume Ier à Breslau : II. - Le voile tombe (Lyon républicain, 4 octobre 1896)”. (catalogue-lumiere.com)
The controversial Enhanced Games challenge the foundations of modern sport by allowing athletes to use performance-enhancing drugs in pursuit of world records and prize money. As investors, athletes, scientists, and anti-doping officials clash over the project's ambitions, questions emerge about human enhancement, medical risks, commercial interests, and the future of elite competition. Between technological progress, ethical boundaries, and billion-dollar business opportunities, the debate raises a fundamental question: if doping becomes the norm, what remains of sport?
The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both sides of an empty screen. The scene was shown in continuity, at the end of the session, as if the producers and directors of the session were beading the public a farewell.
Ouroboros delicately captures Highgate Cemetery’s gothic architecture, ivy-draped tombs, and nature-reclaimed landscapes, drawing on staff perspectives to reconsider ideas of death, remembrance and everyday work there.