In 1936, Gaston Revel entered the École Normale in Algiers, where he was supposed to learn how to "educate the native." It was also during this time that he began to take an interest in politics: he was drawn to the Popular Front, then to Spanish anarchism, and finally to communism. From 1940 to 1955, he taught in Algeria, first in rural areas, then in Bejaia. He returned to Europe because of the war and landed in Provence in September 1914, following the Allied advance. It was in Bejaia, in 1945, that he became fully committed to the Algerian Communist Party: in 1953, he ran for municipal office in the second electoral district (reserved for Algerians) and sat alongside the Muslims. In 1955, at the beginning of the war, he was forced to leave Algeria against his will. But, like thousands of other "red feet," he returned there in 1962 and resumed his teaching career. From all those years, he left a complete and deeply committed record, many letters, notebooks, and newspaper articles.
The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.
Two polarizing billionaires form an unexpected bond as Elon Musk backs Donald Trump's presidential bid, revealing how their alliance shapes America's political and technological landscape.
From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton's impressive career, but at a broader portrait of the man.
The documentary follows the trajectory of Ailton Krenak, indigenous leader from Minas Gerais, a descendant of the Krenak ethnic group, formerly called Botocudos. After studying in São Paulo, Ailton was active in the defense of indigenous peoples. While traveling through Brazil and the world, he became a kind of ambassador for the original Brazilian cultures. The film features images and testimonies of Ailton at different times in his life, as well as other characters that are part of his universe.
The first tour of rising artist Olivia Yells, held in 2025, passed through the Brazilian states of Paraná, Santa Catarina, and São Paulo – where six shows were performed and became a milestone in the singer/songwriter's career.
This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.
When they hit the Billboard charts, Gama Bomb were trapped by lockdowns, missing a drummer, and unable to tour. Survival Of The Fastest is a new Irish take on classic music documentaries like Anvil or Spinal Tap with a sweet and charming portrait of male friendship during troubled times. Capturing Gama Bomb's quest to play for 10,000 people at Hellfest – the 'Glastonbury of Metal' – Kiran Acharya’s warm and wayward film surprised cinema audiences with a smart, sincere, and absurdly funny year in the life of dear friends trying to keep the show on the road. Packed full of Gama Bomb's trademark humour and pop culture references, the film reflects on their 20-year history in the absurd worlds of punk and metal and their earliest days during the first sparks of the Peace Process in Northern Ireland.
Featuring the global K-Pop sensation Stray Kids and a live performance from their record-breaking world tour, alongside exclusive behind-the-scenes footage and intimate interviews with the band, Stray Kids: The dominATE Experience is an epic concert film that gives fans both a spectacular front-row seat and unique access to their favourite band.
Two girls do one of their chores. Standing alongside a tree-lined farmhouse, two children who are about ten and four years old toss grain to a flock of about 50 domesticated ducks. A woman watches them briefly and then moves on. The older girl has her grain in a bucket, the younger one's grain is in her apron. The children stay in one spot, as does the camera; it's the ducks that move around. Chickens are in the background; only one braves the ducks' territory.
Facing the backlash on Transgender Day of Visibility, two transgender advocates, Josh and Riley, risk their safety to promote transgender visibility and welfare.