Ariel Phenomenon explores an African extraterrestrial encounter witnessed by over sixty schoolchildren in 1994. As a Harvard professor, a BBC war reporter, and past students investigate, they struggle to answer the question: "What happens when you experience something so extraordinary that nobody believes you?"
A short form documentary about the body part most associated with manhood and what happens when that's taken away. Our society imbues a man's testicles with the constructs of masculinity, sexuality, virility and overall male-hood. So what happens when a man is faced with losing one or both? There are four main incidents that can lead a man to be faced with the removal of a nut - testicular cancer, torsion, an infection, or gender reassignment. An exploration around the decision to replace or not replace, options of replacements, dating and disclosure, parenthood possibilities, and likely most importantly the psychology surrounding moving forward without feeling emasculated make Nuts well rounded, talk-worthy, and shareable.
Meryl Streep conducts us to a trip to New York City as presented in many films during the 20th Century, and how its cultural importance and impact are important to viewers. With a comprehensive gathering of clips from films between 1910's and 1990's, the documentary presents the mandatory classic films that presented the city and its multiple cultural variations, situations and the great stories filmed there. Actors and directors also discuss how they view the city in reality and also through the pictures.
From 1978 to 1982, Glenn O'Brien hosted a New York city public access cable TV show called TV Party. Co-hosted by Chris Stein, from Blondie, and directed by filmmaker Amos Poe, the hour long show took television where it had never gone before: to the edge of civility and "sub-realism" as Glenn would put it. Walter Steding and his TV Party "Orchestra" provided a musical accompaniment to the madness at hand, and many artists and musicians, from The Clash, Nile Rodgers, Jean-Michel Basquiat, David Bryne and Arto Lindsey were regular guests. It was the cocktail party that could be a political party. With 80 hours of disintegrating 3/4 inch videotape as a starting point, we tracked down the trend setting participants still living today and found out what they remember of the period and how the show influenced their lives. This, combined with clips from the orginal show, became the documentary "TV Party.
A realistic representation of the bombardment of Port Arthur by the Japanese. The great iron clad monsters of the deep are seen to glide in and out firing at the Russians, who are inland. The water effect is grand, and the mines are seen to explode, throwing thousands of tons of water high into the air; ships are seen to burst into flame and sink from sight, leaving the crew to fight their way to shore, some of them being shot by the Russians from the fort.
Over 80 of the world's greatest martial artists demonstrate techniques and discuss philosophy in this fascinating account of the martial arts phenomenon and its increasing global popularity. See rare footage of some of the world's greatest kick boxers. Witness the stars training and analyze their techniques. Learn about competitions such as K-1, the world's most popular martial arts competition. Discover what separates the sports styles and the spiritual style of martial arts.
For almost two decades, the Anglican Priest Ralph Rowe sexually abused First Nation boys in the north during his days as an Anglican minister. Though the true number will never be known, the documentary reports that Rowe molested as many as 500 children throughout northwestern Ontario.
The Switchback Railway was the forerunner of the roller coaster. Passengers sit in a small car which trundles up a swooping railway track then performs a 180 degree turn at its summit before swooping back down on a parallel track.
Shot in 1972, this remarkable documentary was released ten years later and had its first Western film festival screenings last year. "Gyula Gazdag is an outstanding Hungarian talent who seems to specialize in getting into trouble. This film, which he made with Judit Ember, another alert and sensitive director, was banned for ten years. In it, a rural community is in financial trouble and an expert from Budapest is sent to advise and reorganize. He is successful but his manner angers the local committee. Despite their own management failure, they feel his arrogance should be the subject of a reprimand at least. The story is more than just true: so sure was the community of its cause that Gazdag and Ember were invited to film the actual debate, and the reality makes us protagonists in the case. It is a situation that could happen anywhere but seldom has such a subject been treated in so absorbing and striking a way.