Narrator Lawrence Dobkin examines unusual paranormal activities and conspiracy theories in several eerie segments. Subjects include flying saucers and alien encounters, the disappearance of Atlantis, the Bermuda Triangle and the origins of Bigfoot, telekinesis, witchcraft, and the unusual notion that human evolution and technology might have been moved forward with assistance from intelligent extraterrestrial beings.
For the very first time and in complete exclusivity, Patrick Rotman films the daily work of french President François Hollande. Through an essential mise-en-scène, the film penetrates and reveals the core of the Elysée Palace.
Formerly incarcerated writer Marvin Wade speaks personally about his 25 years in prison and the positive transformation he achieved in spite of, not because of, the criminal legal system around him.
Rylan Clark-Neal narrates a guide to all things Eurovision and takes a sideways look at the greatest singing contest on the planet. The A-Z of Eurovision features all the disasters, the costume changes and memorable musical moments from 65 years of Eurovision.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
Multiple agencies and volunteers come together after the Palisades Fire in Los Angeles, CA to rescue an endangered fish population before they are threatened to be completely wiped out by an upcoming mudslide.
From the flickering screens of Hollywood horror, to the haunted cane fields of colonial Haiti, Black Zombie unearths the buried origins of the zombie, reclaiming it as a symbol of survival and spiritual resistance.
It was a dream of superlatives: to establish a new alpine skiing downhill classic at the foot of the Matterhorn. Sponsors, athletes and fans were on hand, but the weather didn't cooperate. A reflection on the relationship between sports, tourism and climate change.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.