Excerpts from an unfinished 1976 zombie-western anthology film by Wes Craven, in the style popularized by Amicus films, which were given an official home video release with The Last House on the Left, and placed in sections of an American version of the Italian film, Zombi Holocaust.
A cowboy hears rumors that an old friend who once headed a criminal gang and had since gone straight is now back on the wrong side of the law. He goes to investigate.
Ringo comes to a Mexican village, searching for his brother from whom he has heard no news. He comes with a sheriff who immediately has work on his hands, as those who get killed are certainly too many.
Bob Graham gains the consent of Grace Allen to marry before he leaves for the fall round-up. Bob takes with him a locket given him by Grace as a token of remembrance. Jed Brown, who has also loved Grace, goes with the punchers across the range and when opportunity offers steals the locket and forges a note which he returns and gives to Grace, making her believe that Bob has jilted her. Womanlike, she turns her affections to Jed and they are married. Bob learns of the trick and makes a solemn vow someday to get even.
There is a feud of 30 years' standing between the Revelle and Wainwright families, dwelling in the Apache country, despite which Shirley, daughter of Martin Revelle, and Clem Wainwright fall in love. The lovers are discovered meeting by Clem's rival, Ben Larrago, who informs on them (Exhibitors Trade Review, 23rd May 1925).
Bob Tyler has rustler trouble while driving a herd of cattle to the new owner, but he refuses to turn the herd over to Frank Kellogg. He has a run-in with Jean Polk, discovers she is the owner of the cattle, and is fired. With his friend, Barney McCool , Bob snoops around and discovers that Kellogg is behind the rustling.
The cattle herds of some Arizona ranchers are being stampeded and stolen, so the Arizona Stockmen's Syndicate sends ace investigator Steve Reynolds in to find out who is responsible. Steve poses as a vicious gunslinger named Buck McCloud to work his way into the gang, and then becomes the Durango Kid to disrupt the activities he learns about. Jud Temple is the loyal fiancée of town banker Grat Hanlon who turns out to be the brain-trust behind the gang.
When Jaider has to illegally poach in order to feed the citizens of a poor Alpine town, he gets into a blood-soaked conflict with the German authorities.
A shepherd who wants to leave his village and a young photographer who seeks to unearth the traces of the past travel together in an old van through the corners of a forgotten province.
A wildcat oil outfit is seeking to take over the ranch belonging to Pop Martin and his son Bob and daughter Helen. Bob sends his ex-army pals a "stay-way" message, which brings them on the double. The WW II vets use their jeeps, first for a cattle roundup, and then to round up the gang of crooks, including the crooked family-lawyer Thatcher, brains of the gang.
Chaco and his band of downtrodden men meet Così Sia (Amen), who always seems to get the better of them. He takes on the men with a plan to break into the Bank of Little-hole. For Così Sia, getting the money is not as important as getting his revenge on Reverend Smith, with whom he has a bone to pick.
This silent Western features Tom Mix as a rancher who goes to Washington to affect better conditions for the anonymous man of the soil. Having lost his money to some scheming lobbyists, Mix, unaware that oil has been found on his property, stakes his possessions on wonder horse Tony winning the big race.
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."