An aspiring Hollywood actress working on her first feature--a no-budget horror flick oddly crewed by enthusiastic teenagers--and a cowboy on a mysterious job arrive in the small border town of Del Rio, Texas, each with their own very clear agenda. When the starlet's film director and the cowboy's associate both fail to appear, however, there's nothing to do but wait and see. Dusty Del Rio quickly becomes a strange way station where time seems to stand still and things are not what they seem.
When Billy Carson's uncle is lynched as a supposed rustler, Billy arrives looking for the murderers. He finds that Steve Kirby holds a forged note on his Uncle's ranch. When Kirby sees that Billy means trouble for him, he has him framed for murder. Then just as he is inciting the mob to lynch him, Billy's new friend Doc Jones is trying to break him out of jail.
Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western.
Jim Waters arrives at Ed Parks' ranch to find Parks' cattle herd mysteriously increased. Hamp Harvey has been losing cattle and he suspects Parks. But the culprit is Harvey's foreman Brent who gets his orders from the town's leading citizen Sig Barstell. Barstell wants Harvey's ranch and after trying to frame Harvey by killing Parks, Waters takes over and goes after both the killer and the rustlers.
Thirty years after separating when their friendship is harmed by a mutual love of the same woman, two friends, Bobby Ray and Pal, return to their hometown to settle old debts.
A stagecoach is attacked by a group of outlaws who make off with a pile of money. Unfortunately for Mexican Juan, the sheriff believes he's one of the criminals and has him locked up. But the beautiful Cheel thinks Juan is innocent, and offers to help him escape. Overhearing their plan, the real mastermind behind the heist forces Juan to act as the runner for the money.
A story about the search for an ideal in a world devoid of values. It is a surreal parable about human nature, played out in the convention of a Western, in which the myth of the Wild West is put to the ultimate test of endurance. In the Wild West's most demoralized town, Rio Bravo, love is hotter, crime more cruel and poetry more poetic than Byron himself. The minds of the residents of Rio Bravo are consumed by venereal disease, leaving behind an uncontrollable longing for Eucalyptus. The film's protagonist, Sony Holiday, a mythical figure of the Wild West, is known not only for his fast revolver, but also for his possession of an unusual bird. This bird, an object of worship and envy, fuels a spiral of crime and gruesomeness in the town.
Wild and Woozy West is another of the unsung cartoons from the Columbia studio of the '40s. It concerns the capture of the western wolf villain Angel Face, wanted dead or alive (perferrably dead). Among his list of crimes is "using naughty words".