Jane (Sarah Bowman) leaves work late one night expecting to drive home when she is pulled into an unusual world. While traveling across various locations and interacting with Terrance (Dorian Hurst) and Amanda (McKenzie McLeod), Jane realizes she is out of time and can no longer return home.
Ellaichami is a righteous village chieftain who protects his people. Out of the blue, Kaveri enters Ellaichami's village and turns his life upside down before she reveals her true identity.
Faan, an actress who mis(re)cognizes herself as the character she portrays, grapples with overwhelming temptation and repression, leading her to uncover her deepest neurotic desires.
Jean Valjean is released from prison after nineteen years of hard labor, violence, and suffering. Filled with anger and a deep sense of injustice, he has become a dangerous man who trusts no one and nothing. When he arrives in a small village in Provence, he is repeatedly turned away. Desperate, he unknowingly finds refuge at the house of Bishop Bienvenu, who lives simply, with his sister and a single servant. There, he is surprised by their warm welcome, and his inner demons start to waver. But the temptation to be what society sees in him still haunts him, and he steals the Bishop’s silverware. When the police ultimately catches him, the Bishop forgives him and gifts him the candlesticks. This acts becomes the starting point of Jean Valjean’ transformation into a new man who reclaims his humanity.
Bill Baker, an American oil-rig roughneck from Oklahoma, travels to Marseille to visit his estranged daughter, Allison, who is in prison for a murder she claims she did not commit. Confronted with language barriers, cultural differences, and a complicated legal system, Bill builds a new life for himself in France as he makes it his personal mission to exonerate his daughter.
When an elderly millionaire is found dead with cocaine in his system, his will leaves $8 million to Rebecca Carlson, who was having an affair with him. District attorney Robert Garrett decides to prosecute Rebecca, arguing that she deliberately engaged in wild sex with the old man to overexcite him and lead to his premature death. Defense attorney Frank Dulaney defends Rebecca in court while getting sucked into a dangerous affair with her.
This film is a piece of experimental cinema that tackles the displacement and resilience of indigenous refugees (IDPs). No actual dialogue can be heard in front of the camera; Ikil’s voice is only heard as a Voiceover (V.O.). The entire weight of the story relies on intense sound design, poetic timing, and the physical contrast between the chaotic city and the peaceful flow of the river in the province.
The story revolves around a man trying to uncover the mysterious death of his girlfriend and save an innocent man from the death chamber in the process, by using his unique power to time travel. However in attempting to do this, he also frees a spiteful serial-killer.
Kumbakarai Thangaiah (Tamil: கும்பக்கரை தங்கய்யா) is a 1991 Indian Tamil film, directed by Gangai Amaran and produced by Ramumachan. The film stars Prabhu, Kanaka, Pandiyan and M. N. Nambiar in the lead roles. The film had musical score by Ilaiyaraaja.
While investigating the global phenomenon of caste and its dark influence on society, a journalist faces unfathomable personal loss and uncovers the beauty of human resilience.
Anna Fritz is a beautiful and famous actress. Suddenly her body is found in a hotel and the news of her death goes around the planet. The young, shy caretaker Pau works at the hospital where they carried the body of Anna Fritz. He and his friends decide to take pictures of the body of Anna Fritz. They decide they could make love to her and nobody would know. They are in front of Anna Fritz ... and can do with it what they want.
When beloved couple Moe Sway and Wutyi Cho are forced apart, he promises her 'I would die if it is what you like.' One day, their reunion reveals that Wutyi Cho has changed completely, even taking the name Gar Gar, and she realizes their love is now impossible, setting a tragedy in motion.