The fairytale story revolves around a young prince who - along with his entourage - is turned into a nutcracker through his own ungrateful and selfish behaviour, and awaits a kindly soul who'll release him from the spell. The mouse-king seeks the magic that made this happen so that he can become all-powerful. The prince (now a nutcracker) finds hope in the form of a girl who risks everything to help him become real again, while the mouse-king and his armies do everything they can to steal the magic for themselves.
After a brief review of the problems described in Freewayphobia #1 (1965), we see a new range of problems. These include: abrupt breakdowns due to poor maintenance; unsecured loads; running out of gas. We learn how to handle breakdowns properly. We also learn about situations that can affect the driver, like fatigue, alcohol, turnpike trance, and the weather.
A dancing bear escapes from the zoo and finds his way to Tom and Jerry's house. He dances with Tom, making it impossible for Tom to call the authorities; Jerry takes every opportunity to play music and keep Tom and the bear dancing
A Doraemons film. It premiered on a bill with Doraemon: Nobita's the Legend of the Sun King. The movie's original plot was written by Hiroshi Fujimoto and Motoo Abiko.
Mama Buzzard wants her children to learn to bring back meat for dinner. One buzzardling is shy and has to be kicked out of the nest. He's told to at least bring back a rabbit.
When brave elephant Rock (Cary Elwes) sees his wife, Melody (Alexa PenaVega), kidnapped by the powerful human king (Patrick Warburton), the mighty warrior will need some jumbo-sized help from his friends in order to rescue her. Coming to his aid is a quirky, courageous troop of young elephants, including Rally (Carlos PenaVega), and Pugsley (Mikey Bolts), plus the ever-trusty and wacky Wingman (Garrett Clayton) and the kindhearted human queen (Ambyr Childers); this elephant tale filled with dazzling action sequence is one that you'll never forget!
A dopey Pilgrim goes hunting a turkey who speaks in a Jimmy Durante impersonation and runs the local black market. War and rationing gags abound (Pilgrims line up behind a sign reading "Ye Cigarettes Today"), as well as a running gag featuring a bear wearing an "Eat at Joe's" sandwich sign. The turkey harnesses the power of gags to save himself.
It's snowy and cold outside, and warm inside where Jerry squeezes past a mousetrap to cavort under a present-laden Christmas tree. Mistaking the sleeping Tom for a plush toy, Jerry wakes him and a mad chase ensues.
Mickey gives Minnie a canary for a present. Soon there are several little canaries; they get into the inkwell and fly around the house, making a mess, though it's nothing compared to the shambles Mickey makes of the house while chasing them.
In a fairy tale world, a winemaker creates the most exquisite wine in the world. When Death herself wants to taste the wine, he discovers that his bride is next on Death list.
Olive is building a house when the boys happen by. They show off a bit to convince her to let them build her house for her. She decides to split the job in half by splitting the blueprints in half and having each build one side of the house. Of course, "cooperation" isn't in their vocabulary. Bluto does an extremely sloppy job on his half, and also takes every opportunity to either sabotage Popeye or trick him into doing more work. Meanwhile, Popeye's making enough of his own mistakes, many of which seem to involve wedging Olive into small bent pipes. Eventually, Popeye has his spinach and finishes the house, but the house collapses as they are celebrating with a kiss.
A lonely kid finds an unexpected friend when forced to attend a summer camp with a dark secret. After Kaia goes missing during the summer of 1982, Jasper enrolls at Camp Kona a year later and begins to discover hidden facts about her disappearance. With many ups and downs, the film sets the stage for short-form animated monster movies that echo 80's nostalgia.
IMMER ZU is an elliptical, experimental animated film which evokes a mysterious undercover world of secret messages, cryptic language and indecipherable codes. Shot in luminous black and white, IMMER ZU uses miniature two and three dimensional figures and sets, as well as shadow puppetry, to suggest the urgency of a nocturnal mission, a mission of life and death importance. In this dark and richly atmospheric film, with a soundtrack collaged from several film noirs, meaning is constantly covered and uncovered in a shadowed journey toward eclipse.