Jack has moved to Hokkaido to get treatment for an illness, but he's lonely and unhappy. One night a man on a horse rides through his window to help him. For a reason he doesn't understand, Jack instantly knows the man's name and feels they've met somewhere before. The man, Cu Chulainn, tells Jack to open the moonlight shadow window, which leads him to Nymphidia, the world of Midsummer Night's Dream, whose inhabitants are waiting for a new Fairy King.
Far in the future, in a place that was once called Finland, there lives a people whose history is shrouded in mystery. A mythical song describes the past, but it is not enough for the Young One. Fortunately, there is a sect in nearby fen that preserves ancient knowledge.
Anahita, traumatised by the brutal disappearance of her mother, finds comfort in Shalini, her history teacher. On an unconventional school excursion to a mysterious prehistoric site, she confronts her terrifying destiny.
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing her tangled business affairs. Riggs decides to materialize as the girl's "angel", gains her unquestioning confidence, and helps himself to the deluded girl's millions. Just as he and his partner are about to flee Patria with their booty, Riggs realizes he has fallen in love with the girl and returns the money, together with a note that is part confession and part love letter. But the larcenous duo's escape from Patria turns out to be more difficult than they could ever have imagined.
“Rio 2096 – A Story of Love and Fury” is an animated film that portrays the love between an immortal hero and Janaína, the woman he has been in love with for 600 years. As a backdrop to the romance, the feature highlights four phases of Brazilian history: colonization, slavery, the Military Regime and the future, in 2096, when there will be a war for water.
A group of Malayali travellers, returning to Kerala by bus after their visit to Velankanni, all doze off in a lazy nap after lunch. One of the travelers, James, stops the bus in a village in Tamil Nadu. He starts behaving like a native of the place and speaking in Tamil, confusing his fellow passengers and the villagers alike. He walks amidst faith, delusion, dream and trance, followed by others.
The Bogie Man's cave is one of the many triumphs of set design for Georges Méliès. More unusual for the pioneering French director is the grisly turn when the monster chops up his servant for a steaming pot of stew. But the Bogie Man’s guilty conscience weighs on him, plaguing his sleep with even more fantastic visions of just deserts. (Max Goldberg, Fandor)
A heroic fantasy based on the famous novels by Polish writer Andrzej Sapkowski, "The Sword of Destiny" and "The Last Wish". This film immerses us in a world inhabited by kings and knights, princesses and sorcerers, priests and magicians, where fire-breathing dragons guard untold treasures, and human greed leads to an endless struggle for power, cruelty, bloodshed, and violence. And this world has its own superheroes - fearless witchers, people with magical powers. Their mission is to protect the human race from any misfortune. The witcher Geralt of Rivia must find the young princess Ciri, kidnapped by enemies. Only her return to the small kingdom of Cintra, which was attacked by aggressors, can restore peace and order there. The brave witcher sets off on a journey, long, distant and deadly.
Five adolescents in a conservative community experience strange transformations in their bodies. Faced with rejection in the town and the fear of adult life, thye must decide if they accept their dragon aspect or conform to the tedium and local conventions. The Dragons is an immersion in the fantastic universe do writer Murilo Rubião.
Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.
Murti (Sally Marcelina), the daughter of bankrupt farmer Murdali (Wenda Wijaya), is offered up as a bride to relieve a family debt owed to loan shark Juragan Hamid (Mawardi Harland). Before the forced marriage occurs, Murti and her boyfriend Yusman (Johan Saimima) run off and marry one another is a mystic ceremony witnessed by the spirit of the dwarf shaman Mbah Jagaraga (El Koesno). After becoming married to the man she hates, Murti learns that Juragan Hamid is a fugitive convict so he kills her to secure his secret. Murti’s death disturbs another spirit and the two of them return as ghosts to haunt the village.