Four partisans are tasked with blowing up a bridge that has no strategic significance. The order is unclear, but without questioning their superiors, the heroes set off, not yet knowing what they will have to endure. Based on the novel of the same name by Vasily Bykov.
An Alsatian, head of a section of the Gestapo, is actually spying on behalf of the French and dismantling a Nazi network. His activities are brought to light by the Germans and he owes his life only to the intervention of a young woman.
Vera is a young woman in the Kingdom of Yugoslavia who gets entangled in the WW2 spy network and also in the patriarchal society full of powerful, arrogant men with whom she deals bravely and arrogantly.
Villa's regiment demobilizes at the end of the Revolution, but the ruling faction in the provisional government isn't eager to see them reintegrate into civilian society.
Ihr Unteroffizier offers a private and "childish" view of the war: that of a young girl who writes to three soldiers and sends them food and warm socks.
When a covert raid in Normandy goes wrong, a small team of British commandos are cut off from their comrades. Holed up in a barn and surrounded by Wehrmacht forces, their chances of survival appear bleak, until an unexpected discovery provides an opportunity to escape.
During the Slovak National Uprising, even ordinary people were determined to perform heroic deeds, even though they knew they were exposing themselves to great danger. The heroine of this film, a simple country woman, has a hard time paying for her bravery: she is sentenced to death, postponed for now so that she can nurse her recently born baby. She is even offered salvation if she betrays, but the presence of a member of the Soviet army infuses her with determination and hope. Early Spring belongs to the usual schematic, lifeless staged views of the subject that the communist regime has elevated to the level of sacred matter.
The Joint Chiefs of Staff want to send some ARVNSF troops to North's Điện Biên Phủ for the Dien Bien Phu Operation. But all have been caught or killed by the Chinese spy Kiều Loan, except Major Ngọc Minh.
"Mona" girl club girls admire young "Ahmed" who does not exchange love for love, but does not care about them at all, travel abroad on a business trip. One day Mahmoud hints at "Mona" and admires her and marries her. The father agrees and they get married. They live a happy life. Ahmed returns from abroad. The case is confirmed when Mahmoud sees him and Ahmed in the club, so he decides to divorce her, but he goes to the front. But she resists, and renewed her hope to recover "Mahmoud" after the return of a colleague from abroad has recovered from injury Similar to Mahmoud's injury.
During the Algerian War (1954-1962), many impoverished young Algerian men, known as "Harkis", volunteered to join the French Army. Salah and Kaddour find themselves under the orders of Lieutenant Pascal. But as the conflict draws to an end, the prospect of independence looms. The outlook for Harkis seems bleak. Lieutenant Pascal confronts his superiors, insisting that every single man in his platoon must be evacuated to France.
Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.
The seventh and final film of Frank Capra's Why We Fight World War II propaganda film series. This entry attempts to describe the factors leading up to America's entry into the Second World War.