When three soldiers from am Army Reserve unit are called to fight in the Middle East, they must prepare themselves for the possibility of never returning home.
A Newfoundland fishingboat comes to the aid of a wrecked Danish sailing ship and tows it to a small village, but eventually the captain of the fishingboat realises that it's a U-boat supply ship in disguise, loaded with torpedoes. So, together with his crew and a group of villagers he sets about a plan to blow the ship as well as any U-boats that approach it. Based on the novel "The Gaunt Woman" by Edmund Gilligan.
After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.
Although he already has searched Iraq unsuccessfully for weapons of mass destruction as a member of a UN mission, German bio-weapons expert Arndt Wolf is still obsessed with the idea that Saddam Hussein is hiding something. Nobody around him is interested in this topic any more. This changes abruptly when an Iraqi asylum seeker claims to have been involved in the manufacture of chemical weapons. The German Federal Intelligence Service summons Dr. Wolf to ascertain the legitimacy of the claims made by the informant, who has been given the code name “Curveball”.
'Mata Hari', the daughter of a kampong headman is captured by the Japanese. She witnesses the atrocities committed by the invaders, who tortured her father to death and round up innocent women to become prostitutes and mistresses for their commanders. Not wanting to cower to the enemy, Mata Hari decides to form and lead a guerilla force to fight the Japanese.
One cold winter night in Afghanistan is about to get a whole lot worse for Rana Rae, a Gurkha soldier left to guard a British military outpost, when Captain Noah Brandt arrives looking for refuge from a group of rogue special ops and a cell of heavily armed Taliban. The two soldiers must fight for their lives as they attempt to call for backup before the rogue squad, led by the backstabbing Sergeant Bartlett, can hunt them down to retrieve a case of missile guidance chips that Noah intercepted. But Bartlett and his men do not count on Rana, whose ferocious Gurkha training makes him a force to be reckoned with.
Russian front, winter 1943. Soldier Arturo Andrade and Sergeant Fernando Espinosa are commissioned to investigate a mysterious murder while the Spanish Blue Division of the German Army endures the fierce counterattack of the Red Army.
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
Churchill, a name typically associated with braveness and altruism. Recently found evidence from Soviet and British sources however brings up questions about Churchill's doings in the conferences of Tehran, Yalta and Potsdam. Why did he agree to give Stalin large parts of Poland? The story of two world leaders in times of war - it is also the story of Poland.
A dramatic re-enactment of the Warsaw Ghetto Jewish uprising in April 1943 were 650 armed members of the Jewish Fighting Organization of Poland held off a 3,000 strong Nazi force in which only a handful of Jews survived. Tom Conti plays Dolek Berson, a Jewish smuggler who joins the resistance movement and is aided on the Aryan side of the wall by a former teacher named Regina Kowalski played by Rachel Roberts in her final role.
Theodore Ushev’s acclaimed 20th century trilogy concludes with this brilliant fusion of 3D and Russian constructivist-styled animation. Recycling elements of surrealism and cubism, this animated short by Theodore Ushev focuses on the relationship between art and war. Propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7), the film presents imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to Star Wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.