Having set himself the goal of becoming a DJ, the hero simultaneously searches for the woman whose handbag he found in his hands after their first meeting. In the finale, the dance ensemble, led by the newly minted DJ with a new soloist, "performs" their own musical number to the delight of the provincial audience.
An unsung pioneer of 1970s Texas Progressive Country, Steven Fromholz had a knack for snatching defeat from the jaws of victory. Revered by legends like Willie Nelson, Lyle Lovett & John Denver, he remained commercially unknown. He sought redemption on the Rio Grande as a river guide until a debilitating stroke erased his musical memory, stripping Fromholz of his artistic identity. With an almost obsessive persistence bolstered by newly discovered archives as well as never-before-heard recordings, this intimate and impressionistic portrayal unveils the evolution of Fromholz, and reshapes the notion of success and artistic fortitude.
In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
Rock star Orpheus writes love songs for Eurydice, who designs his album covers. Torn between her and his sound engineer, Calaïs, he discovers Eurydice has died of an overdose. Desperate, he descends into the Underworld to bargain with Hades.
When a fading musician (Alessandro Nivola) learns he has a teenage daughter (Abigail Breslin) from a long-ago tryst, he’s forced to take her on tour after her mother checks into rehab.
Giuseppe is carried by passing passions—singing, insects, private investigation, embroidery—until one day in the park, he meets a quiet balloon seller. Something about her makes him pause.
Failed actor-turned-worse-high-school-drama-teacher Dana Marschz rallies his Tucson students as he conceives and stages a politically incorrect musical sequel to Shakespeare's Hamlet.
During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.
Ruzgar is a new cool boy in the school.Deniz is the girl who he heard in the cellphone,singing.Then they fall in love with each other. Selin is Deniz's bestie will support them but,their love relationship is gonna be complicated.
Silva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promissory note of his expected marriage to Silva within ten weeks.
István, a király ("Stephen, the King") is a Hungarian rock opera written by Levente Szörényi (music) and János Bródy (lyrics), based on the life of Saint Stephen of Hungary. The storyline was based on the play Ezredforduló (Turn of the Millennium) by Miklós Boldizsár, who co-wrote the libretto. The opera was first staged in 1983 on an open-air stage in Budapest. This first performance was also made into a 1984 film, directed by Gábor Koltay, and its music released on an album. The musical became a smash hit and is still very popular in Hungary and among Hungarian minorities in neighboring countries.
In 1992, Min-young, a member of the university protest music group Wildflower Sound, joins forces with the ideological study circle Flag to support workers at Samhyung Industries, who are striking after going six months without pay. On the day of the strike, riot police launch a violent crackdown. Workers and student musicians alike are beaten and dragged away. In response, fellow students form a resistance line to rescue them. The standoff escalates into a massive clash between citizens and police—broadcast live on national news. Compelled by something greater, Min-young steps onto the stage and cries out: "We are not rioters!" A roar of unified voices rises and echoes across the nation. “Arise, you who live—The day is coming!”
The film chronicles the journey of a rock star. Not only is he crazy about heavy rock music, but he also believes in a lifestyle of a rock star, somewhat wasteful and the rockstar takes up an assignment to host a television show and during the course of which a series of events ultimately transforms his life.
For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. But in 1884, as a London heat wave cuts into the theater trade, their latest work, "Princess Ida", receives lukewarm press. In an effort to reconcile their creative differences and drawing inspiration from Japanese culture, they went on to create the hit opera "The Mikado", one of the duo's greatest successes.