A dramma giocoso at the Teatro dell'Opera in Rome, set to music by Gioachino Rossini. Libretto by Jacopo Ferretti based on the French libretto by Etienne for Isouard's Cendrillon.
A hilarious, all-singing, all-dancing reimagining of the Duke of York's very public fall from grace, starring Kieran Hodgson, Munya Chawawa, Harry Enfield and Joe Wilkinson
Here’s the Sex Pistols – the original Sex Pistols, with Glen Matlock on bass – in an intense, non-stop onslaught of pure punk rock in a 1996 reunion tour, shot at the fabled Nippon Budokan in Tokyo. John Lydon returns as Johnny Rotten, with two-tone hair, red shorts, and no letup from the famous raw, shouted vocals with which he helped invent UK punk in the 1970’s. Steve Jones, Glen Matlock and Paul Cook blast out the music in the Pistols’ trademark fast, tight, loud style, reviving a host of Sex Pistols favourites. While the great punk-rock moment that the Sex Pistols created and owned in the mid-1970’s was brief and fleeting, this concert shows that punk rock – and the band that made it famous – will never die. A searing evening of wild music.
La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Color). It features a young, pre-stardom 13-year-old Judy Garland singing "La Cucaracha" with her two sisters (billed as "The Garland Sisters"). In the film, Hollywood stars participate in a Mexican-themed revue and festival in Santa Barbara. Andy Devine, the "World's Greatest Matador," engages in a bullfight with a dubious bovine supplied by Buster Keaton, and musical numbers are provided by Joe Morrison and The Garland Sisters. Comedy bits and dance numbers are also featured.
Facing unemployment from his record store job, divorce and his 20 year high school reunion, a listless former 90's 'one hit wonder' is given a unique second chance when he agrees to produce and record the debut album of an up and coming Internet sensation.
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement.
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack is offering to let him see the show from an unusual viewpoint after he forgot to get him tickets for the performance, but then they find the corpse of a murdered woman and Bill immediately suspects Eric of the crime.
At 52 years of age, Iggy Pop was on tour in Europe promoting his Avenue B album in December 1999 when he performed the concert presented here as Live at the Avenue B. That's actually "Live @ the A venue B," as the credits put it, or at the AB venue, i.e., the Ancienne Belgique Theatre in Brussels, Belgium. In a set lasting nearly 90 minutes, Pop and his four-piece backup band, usually known as the Trolls, run through some Avenue B material, some of it spoken word, with the singer sitting on the stage floor and strumming an acoustic guitar, along with selected tunes from earlier albums such as The Stooges, Raw Power, Lust for Life, Blah Blah Blah, Instinct, and Brick by Brick, and rock & roll standards like "Shakin' All Over" and the show-closing "Louie, Louie."
A bizarre and tragic love story involving a pig farmer, the village fool, a teacher and an agricultural pilot. The story unfolds in a remote village in the communist ruled Yugoslavia at the down of Soviet occupation of Czechoslovakia in 1968.
Pianist Harry Connick, Jr. and saxophonist Branford Marsalis reunite in a magical live performance. Filmed at the 2005 Ottawa Jazz Festival in Canada on June 24, 2005, the pair reprise original music from their duo recording Occasion, while also including Connick’s "Light the Way" and the standard "Chattanooga Choo Choo."
Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...
Recorded Live in the Spring of 1978 at BBC's Shepherd's Bush Theater, Jackson Browne and band play selections from the newly released Running on Empty album and many others,
Au rendez-vous des Enfoirés is the twenty-sixth album by Les Enfoirés , recorded during their series of concerts in Paris from the 20th to January 25, 2016
Broadway producers Tony Naylor, Al Marsh, and Jerry Ralby are having difficulty securing funds for their latest show. Then Al learns he has inherited half of a salon in Paris from his Aunt Roberta. The three men travel to France, where they attempt to stage an extravagant fashion show to revitalize the struggling business, now run by Roberta's nieces, Stephanie and Clarisse.