Heidi, star of the "Meet The Feebles Variety Hour" discovers her lover Bletch the Walrus is cheating on her. And with all the world waiting for the show, the assorted co-stars must contend with drug addiction, extortion, robbery, disease, drug dealing, and murder.
When he learns that his boss is retiring to Arizona, sailor Ross Carpenter has to find a way to buy the Westwind, a boat that he and his father built. Meanwhile, he's also caught between two women: insensitive club singer Robin and sweet Laurel.
To save his ailing sister, an unlikely hero must journey afar to pluck a feather from the mighty Gryphon in this animated parody of the classic fairy tale.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
Li Ching is the Seventh Sister, an angel who comes down from heaven to see what life in Hong Kong is like. In Hong Kong, she runs into Zili(Chin Feng), a reincarnated version of her deceased lover, Dong Yong. Zili, with help from cook Uncle Bull(the warm, portly Peng Peng), do their best to watch over homeless kids in an run-down orphanage. However, a heartless tycoon named Xu Caifa wants the land where the orphanage is and he's willing to go to extremes to get it. Armed with omnipotent powers, spirit, and help from her "celestial sisters", Seventh Sister works to defend Zili, Uncle Bull, and the orphans from Xu Caifa.
Gauche is a diligent but mediocre cellist who plays for a small town orchestra and the local cinema in the early 20th century. He struggles during rehearsals and is often berated by his conductor during preparations for an upcoming performance of Beethoven's Sixth Symphony. Over the course of four nights, Gauche is visited at his mill house home by talking animals as he is practicing.
Xatar’s way from the ghetto to the top of the charts is as dramatic as it is daring. From the hell of an Iraqi jail, Giwar Hajabi emigrated to Germany as a young boy with his family in the mid-1980s and has to start right at the bottom. There are opportunities, but far more obstacles. Giwar’s rise from petty criminal to major dealer is swift. Until one shipment goes missing. In order to clear his debts with the cartel, he plans a legendary gold heist. But just as everything goes wrong, another door opens for Giwar thanks to his passion for music …
In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, under the sway of a controlling therapist, he finds a savior in Melinda Ledbetter.
Additional/cut footage from the leaked Kanye West documentary titled "500 Days in UCLA", directed by Nico Ballesteros. Includes a lengthy "presidential vlog" segment at the start documenting Kanye West's visit with former U.S. President Donald Trump.
After getting her start in coffee shops Joni Mitchell went on to set a new standard, marrying music and lyrics with such songs as “Both Sides, Now.” While her early material is often categorized as “folk,” she became a household name with music that defies categorization.
Scooby-Doo and Shaggy must go into the underworld ruled by The Goblin King in order to stop a mortal named The Amazing Krudsky who wants power and is a threat to their pals: Fred, Velma, and Daphne.
In the tradition of Fantasia, Make Mine Music is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter and the Wolf", narrated by the beloved voice behind Winnie the Pooh. In addition you'll enjoy such classic cartoon hits as "Casey at the Bat," "The Whale Who Wanted to Sing at the Met" and "Johnnie Fedora and Alice Bluebonnet."
Don Giovanni was commissioned by the Prague Opera immediately after the success of The Marriage of Figaro: Mozart and Da Ponte wanted to build on their success and chose a subject that had triumphed just a few weeks earlier in Venice, a Don Giovanni composed by Giuseppe Gazzaniga. Revisiting the theme of the Seville Cheat – a prevalent subject in theatre since the mid-17th century, especially through Molière’s powerful incarnation, and in a ballet by Gluck in Vienna in 1761 – Da Ponte focused the work on the libertine character of Don Juan, no doubt drawing inspiration from his friend Casanova (who in fact helped make changes to Act 2, Scene 9, and attended the Prague première).