Documentary that portrays the emergence of DeFalla, going through the different phases and formations that the band experienced, until the return of the classic quartet, which took place in 2011.
A reclusive musician, once a huge rock star, takes a young female protegee. While on a tour she meets a younger, more popular rocker and switches her loyalties.
The production of “Les Passantes”, a poem written by Antoine Pol and set to song by Georges Brassens in 1972, was entrusted to Charlotte Abramow, a young 24-year-old director and photographer. This video presents a succession of aesthetic photographic tableaus representative of the place of women today.
Setlist: Feel Good Hit of the Summer, You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire, No One Knows, My God Is the Sun, Burn the Witch, Sick, Sick, Sick, The Vampyre of Time and Memory, Little Sister, Monsters in the Parasol, I Sat by the Ocean, Make It Wit Chu, I Appear Missing, Go With the Flow, A Song for the Dead
Maria is a young orphan who lives with her wealthy aunt. Maria sings in a cocktail bar with his friends, who form a rock band, and enjoy the night with them. One of his friends, Ernesto, is in love with her, though she does not seem to feel the same about him. In fact, multiple existential doubts and feel a strange emptiness in his life suddenly drive to enter a convent as a novice, breaking Ernestos' heart. However, with her cheerlul character, open and rebellious, not appear to conform to life in the cloister, and especially have problems with the novices director , who often punished for trying to take the right path. In the convent, which also functions as children's hospital, she meets a doctor with which it takes quite right for the contrast between his two characters, but his way with love and mutual respect.
Four years after they were last the subject of a documentary, the heavy metal band Bad News get back together again for another film of their exploits, beginning with a reunion gig at the Flying Horse.
Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.
Heinz Erhardt wanders through the Black Forest as a photographer for a magazine. On the train he meets a young girl who from now on does not leave his side.
"It's a little raw and crude right now, but I want this to be 'My Rotten Life' as a dessert, not as a liver pill." Cult film actress Susan Tyrrell (Fat City, Forbidden Zone, Cry-Baby) performing her one woman semi autobiographical musical show at La Cage, Los Angeles, 1992.
Pauline, Barbara and Jessica have been friends since childhood and still live in the same odd town. They have a common plan: they want to win a lookalike contest. When Pauline decides to take her distance and write her own songs, she upsets the balance of the group.
The first sexual experience of a sensitive 16-year-old girl becomes the starting point of an emotional journey towards adulthood and reconciliation through music and its power.
Since the popularization of the waffle cone by Syrian immigrant food vendor Ernest Hamwi, ice cream has long been associated with criminal activity. The leading data-driven crime cyborgs at Precinct 88 are on a mission to put an end to this decades-long trend.
George and Gracie enter an elegant drawing room, looking everywhere for something. Turns out, they're looking for the audience, and when George spots the camera, they start in on their patter. Gracie wants to convince George that she's smart, not dizzy - it's an uphill struggle of which she's blissfully unaware. Midway through, they break into song: "Do You Believe Me?" It includes a little bit of hoofing as the chatting continues. They end on a story Gracie whispers into George's ear.