oosely inspired by the Baba Yaga folktale, With Iron Teeth follows Sam, a young woman who works at senior center by day and scams the elderly at night. But one fateful evening, Sam and her new hookup Emerald learn that stealing from the wrong old lady has terrifying consequences.
A generation of lesbians who’ve had to rely on chosen family reflect on the work their community has done to age in place on the North Fork of Long Island.
In an utterly dark society, violence becomes a spectacle, and sacrifice hardens into ritual. The victim is driven to self-destruction, in exchange for no more than a phantom of justice.
A short surfing documentary that focuses on a local Norfolk surfer, originally from South Africa, who talks about the positives of the surfing community.
After getting only a fraction of engagement on social media, young creative filmmaker Kobula and his friend Saniko go through hard times. Kobula aims to go out in public and promote his work, while Saniko wants to pursue a tech career, get a real job, and leave everything behind. everything changes when they cross paths with a rising CEO and inventor.
This is my third and final short film to my Fyrhtu Unkent (2026) trilogy, this final instalment taking place multiple years later and expanding whilst introducing new themes to the franchises overall meaning of the feeling of loneliness being lost and then the concept of acceptance of grief in a mental hell on Earth.
This is a short experimental drama meant to evoke a sense of unease in an everyday neighbourhood and observing the surroundings we all see everyday as the sun sets, but we might not all look close enough...
On the outskirts of town, in a small house beneath a hill, Bela lives in the quiet rhythm of her daily household routines. After hanging laundry, she is approached by Nada, a Roma girl, who tells her fortune from the coffee grounds. Guided by this small sign, Bela spends the rest of the day awaiting her son. When she learns that he will not come, silence settles back into the house. In that silence, Bela turns inward, where she begins to feel the presence of her late husband return.
Flat, 2026, is a new moving-image installation by Renèe Helèna Browne that unfolds within the shifting conditions of the so-called “mica scandal” in Donegal, Ireland, where thousands of homes were discovered to have defective concrete blocks. The work traces a period of transition wherein one dwelling is slowly relinquished as another takes form, shaped through repetitive acts of making and unmaking. Attending to gestures of labour, care, and adaptation, the film considers how knowledge circulates outside formal structures, carried instead through bodies, materials, and shared routines. Rooted in a rural environment where weather, animals, and tools inform daily rhythms, the installation reflects on how lives are reorganised through acts of repair and endurance. Flat offers a close study of resilience within conditions of structural change.
Featuring accounts from victims, a police officer, and a Crown prosecutor, this documentary examines the risks women face on dating platforms, as well as the mechanisms intended to protect them. Drawing on the phenomenon of "Are We Dating The Same Guy?" support groups on Facebook, *Féminisites* sparks a vital conversation about online gender-based violence, platform accountability, and the rise of digital sisterhood. One thing is clear: behind the matches, algorithms, and carefully curated profiles, the consequences are very real.