Laisul, a Bangladeshi immigrant now living in the UK, attempts to navigate Birmingham through driving lessons, conversations in cars, and phone calls from home. Filmed inside vehicles and among construction sites, blocked roads, and sprawling South Asian neighbourhoods on the city’s outskirts, the work reflects on mobility, belonging, and displacement, while offering a glimpse into the lives of Bangladeshi communities who have made Birmingham their home. As the artist learns to drive in a city seemingly built around cars, encounters with friends, driving instructors, and archival traces of Bangladeshi political figures reveal Birmingham’s deep connections to Bangladesh and its diaspora. Moving between intimate conversations and urban observation, the film unfolds as a portrait of a city in transition, where personal experiences intersect with migration, infrastructure, and histories that continue to travel between Birmingham and Bangladesh.
The Badger of Ballybog is a comedy mockumentary following the contestants of Ireland’s premier men’s beauty pageant, including five-time reigning champ Little Johnny, legacy entrant Mícheál Milk, competition bad boy Big Daddy, the young and eager Declan Dweeb, international man of mystery Nakamura Ozu, English pariah Paddy Maguire and American folk singer Duke Davis. It’s like the Rose of Tralee, but for lads.
Following an incident at a party, Nadia and Oko try to piece together their feelings by dissecting the anatomy of a hug and what it means to hold another person.
After an accidental ritual, the protagonist's favorite films begin to literally interfere with his reality, gradually bringing to the limit the feeling that has accompanied him from the very beginning.
A young queer person navigates the chaos of coming out to traditional parents, which results in a high-stakes, disastrous family dinner. While planning their wedding, the couple battles overwhelming family interference and conflicting cultural expectations. The story features a dramatic, chaotic food fight that breaks down decorum, ultimately focusing on acceptance and a joyful, triumphant ending rather than traditional tragedy.