Generation Z has swiped away the old illusion-based structure of society and moves through a city whose surfaces simultaneously reflect desire, labour and visibility. »To serve« becomes an invitation to perform and to consider the cost of becoming visible. In the social choreographies of the film, femme bodies perform a Delulu script, glowing through the urban canyons of New York that reveals itself as a bygone hypercapitalist fiction. Yet they still invent their own grammar of desire.
Paloma struggles to connect with her Mum after her parents separate. After she plans a secret meet-up with her Dad, tensions between Paloma and her mother grow, and Paloma is forced to make a realisation.
The short film: My Ego Told Me To by Leigh-Anne Pinnock is a visual project that complements the music and expands on its themes and artistic identity. It combines aesthetic, symbolic, and performative elements to create a cohesive visual extension of the artist’s creative world.
An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.
Unsatisfied with her prospects following graduation, struggling artist Eleanor "Nell" Ross reflects on her life with her boyfriend over a game of dominoes.
When his wife leaves for lunch for the first time since giving birth, a new dad has the impossible task of watching his baby by himself. Everything that can go wrong, does.
A punk band whose members have learning disabilities and Down syndrome fight to reach a bigger stage as funding cuts, health scares and setbacks close in.
A multi-generational family of outspoken Puerto Rican women takes center stage as they conceive and perform fantastical film vignettes as a way to navigate painful pasts in this visually-arresting, kaleidoscopic documentary.
Haunted by her partner's death, a grieving girl retreats into isolation with an advanced empathy AI, but a fatal system glitch transforms her digital sanctuary into an infinite, nightmarish loop.
A woman, living in a house that drifts like cosmic debris, wakes to find her right ear and her husband gone. To recover what was lost, she embarks on a surreal journey through the void.
SUFFICIENT SIDE EFFECTS is the definitive behind the scenes look at the making of Magenta House using extensive behind the scenes footage shot during the production of the film and interviews with most of the crew and some of the cast. It’s a unique opportunity to showcase the creation of fully independent student film which we had full control over. The good, the bad and the ugly side of film making is on full display going through all the ups and downs of such a production and hearing from those who created it both pre and post filming and right up to the film’s premiere at the Horror On Sea Film Festival.
The day after they released their fifth studio album, 'Everyone for Ten Minutes', Bleachers played a free show at The Stone Pony for 900 fans. Some flew across the country to be there, and others were locals who had been coming to see the band for over a decade. From the second they stepped onto that stage, it was one of their favourite shows ever. Thank god they filmed it.