Joyce Wieland

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

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Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

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In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

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“This film is against the corporate military industrial structure of global village.”

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A camera moves back and forth at an increasing pace. Back and forth, back and forth...

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"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

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A cat eats its methodical way through a polymorphous fish.

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A day at the Beach, at the Sea, at the Sky and at the Sailboats.

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Various unrelated vignettes, often juxtaposing sound and image.

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A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

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Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

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A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

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Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

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The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

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About a strike in which women are involved, but told in a very different way.

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One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

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Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one...

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In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and...

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The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.

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You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

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First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

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Home movies shot on Super 8mm by W+B Hein over 10 years.

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Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a...

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Handtinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

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